Thursday, August 28, 2008

"Lofty Aspirations"

 
 
 
5" x 7" oil on linen panel
 
Everybody else in the world has painted limes at some point, so I figured I'd go ahead and give it a try. I also picked up some linen panels on my most recent internet re-supply run. I think I prefer the look of Ampersand Gessobord, but paint does handle better on a nice textured surface.
 
This photo was very hard to manipulate into a correct representation of the actual painting. The light values and subtle colors in the background were tricky to tune with levels and saturation. Somehow the red accent markings on the limes got lost, and the shadows of the limes are a warmer gray (not so much black) on the real work.

Monday, August 25, 2008

"The Love Cookie"

 
 
 
6" x 6" oil on gessoed panel
 
(Note: Title is best said in a Barry White voice.) These "angel cookies" are some of the most profoundly good cookies available. They get high marks from me in taste, texture, aesthetics, and price.

Sunday, August 24, 2008

"Dragon Fruit" - SOLD

 
 
 
5" x 7" oil on gessoed panel
 
A visit to the local Asian market this past weekend yielded a couple of new subjects for painting fodder. I seriously considered calling this one "Enter The Dragon (Fruit)" but that just sounds creepy. On the other side of the coin, "Strange Magenta Fruit on Top of Crappy Varnished Table" was too cynical. The real name for the "dragon fruit" is pitaya, and while exotic, some people might not know what a pitaya is, so plain old "Dragon Fruit" it is.
 
The inside of a pitaya is as interesting and pretty as the outside, resembling a poppy seed muffin, but with the texture of a cooked pear. I haven't tried cutting fruit open to paint the insides for a number of reasons, but I may be missing out by not doing so.

"Nectarine In The Mountains" - SOLD

 
 
SOLD!
 
5 "x 7" oil on gessoed panel
 
Another arrangement discovered at random. During setup I put the nectarine down on my green cloth while I was organizing something else. When I looked back at the pile, I realized that I liked how the highlights had fallen on the cloth. I felt that there was only so much I could do with nectarines on a cheap glossy table, and the fruit I had purchased was getting over-ripe, so this is the last nectarine painting for now.

Wednesday, August 20, 2008

"Nectarine Reflective"

 
 
 
5" x 7" oil on gessoed panel
 
My second nectarine, placed flat on top of a cheap side table - again trying to keep it clean and simple.

"Nectarine On Green"

 
 
 
6" x 6" oil on gessoed panel
 
In the interest of economy, I endeavour to choose fruit for painting that will also be good for later eating. The large, soft fruits featured in the local stores are usually not very good, but this past week the nectarines were a fragrant, tasty exception. This being my first-ever painting study of a nectarine, I decided to keep it simple.

Monday, August 18, 2008

"Strange Fruit" - SOLD

 
 
 
5" x 7" oil on gessoed panel
 
A cucumber is a fruit, according to the internet, but I didn't know that when I titled this one. The figure is about an inch tall. I found it on a staircase a block east of my dorm while out walking one day during my mis-spent year at a large northeastern university... He might be called Lost Buddha, Found Buddha, or perhaps even Boston Buddha, though that sounds like a baseball player's nickname.
 
The cucumber is locally sourced, and it is a straaaange item. If I had a miniature ship model handy, I would have painted the two together and titled the result "Moby Dick", because this particular cucumber reminds me of a Great White Whale in miniature. The colors of this one don't come across very well in the JPG, a lot of the high end values are cut off for some reason. The painted cucumber has more white and clearer highlighting.

Saturday, August 16, 2008

"Cosmic Combination"

 
 
 
6" x 6" oil on gessoed panel
 
This is what became of the 6x6 that I scrubbed out before doing the previous painting. I had been getting caught up in details and complications, so I aimed for "bold and simple". I attempted to paint chocolate and cherries together, but 70% cacao Scharffen Berger chocolate melts ridiculously fast if it gets anywhere near a 60-watt desk lamp, so the best alternative was to use something cake-like that wouldn't melt before I finished the under-sketching. This is the last remaining fresh cherry atop the last survivor from a batch of brownies.

"Take Us To Your Leader" - SOLD

 
 
 
5" x 7" oil on gessoed panel
 
This one resulted from what is usually called a "happy accident", though it was anything but happy at the time. I was a full four hours into a 6"x6" when I realized I was polishing a pile of crap, so I scrubbed it out, tossed the dirty board aside, and started anew. My ideas for this new painting weren't any better. It was getting late in the day, and I was frustrated and PO'd. Out of desperation (and with a dash of cynicism), I threw down a backround cloth and tossed some cherries onto it at random. Fortunately for my sanity, they landed in a workable arrangement that suggested a story of two cherries with alien "antennae", versus one without.

"Goth Cherry" - SOLD

 
 
5" x 7" oil on gessoed panel
 
Picking through my bag of cherries for artistically suitable specimens, I found one with a freakishly curly stem. I bet it was ostracised by the other, redder, cherries. This curly-stemmed, pale cherry probably listened to WFNX and wrote poetry. It was a bit... Goth.
 
Speaking of which, I understand that "goth" has morphed into "emo"? My cultural vocabulary is still late-90's vintage (for example, in the old days at the end of last century, back when cell phones were a rarity, "sick" meant "gross", not "awesome") and, being conservative by nature, I refuse to change, goth darnit. Therefore, my unique cherry is "Goth" and not "Emo".

"Hot and Sweet"

 
 
 
6" x 6" oil on gessoed panel
 
I was just getting started on cherry paintings when I was given a purple pepper from a local garden. I'm not sure if it's a hot variety, but it certainly was purple, and made for a fun combination.

"From The Garden"

 
 
 
6" x 6" oil on gessoed panel
 
The title is not rhetorical - the tomatoes, pepper, and greenery were all grown fresh and local. Important note: If you paint fresh greenery from a garden, be sure to paint fast, else the greens will un-freshen over the course of a work day, and your composition will change as you paint. Ask me how I know!

"Uranium Glass Cat"

 
 
 
5" x 7" oil on gessoed panel
 
Title says it all - this is a cat made from Uranium Oxide glass. I bit off more than I was expecting to chew with this one. I accidentally overslept on this workday, and the late wakeup put me under time pressure to set up and start painting, so I grabbed the cat from the roommate's curio cabinet, put it on top of a box, stuck a sheet of paper under it to break up the background, turned on the light, and got to work. It took a lot of work to cope with the varied colors, reflections, transparencies, and opacities on what appeared to be a simple green piece of glass.
 
If you ever see one of these Uranium Glass antiques, you should know that the glass is not dangerous, but it really is made with a form of Uranium. And yes, the feet of the cat were off the paper on the actual object, so although it looks like it's floating, that's how it sat on the box top.

"Time For Pie" - SOLD

 
 
 
5" x 7" oil on gessoed panel
 
(How long should I stay on the Star Trek movie title theme?) Circumstances on July 4th prohibited me from blowing up anything, barbecueing, or going shooting, so I did the next best thing and made an apple pie, per the instructions of Our Lord and Master of Good Eats, Alton Brown. Unfortunately since the pie done got 'et (and it was good) the next best thing was to paint the pie bird and pie server, and since it looked like the antique pie bird is calling out, I figured he was saying "Time for pie!", and I put him next to the pie server - get it? I'm so clever.
 
This one frustrated me at the time. The velvety foreground cloth texture gave me a hard time, and I was painting well into the evening. In retrospect, though, it's become one of my favorites.

Painting Trek 2: The Wrath of Backlog - "Home-Made", July 8th, 2008

 
 
 
6" x 6" oil on gessoed panel
 
This is painting #2, from back on July 8th. I made a batch of cookies on the previous Monday night, and saved a trio for painting on Tuesday. At the end of the workday the milk had been out for too long, but the cookies were still perfectly edible... And they were good.

Here we go... #1: "Minerva", July 7th, 2008

 
 
 
5" x 7" oil painting on 1/8th" thick Ampersand Gessobord
 
Here is my first-ever "daily painting". I have a bit of a backlog, so in truth, this one was done back on July 7th. The owl is a candle holder acquired at a local thrift store, and the apples were the finest quality available from Kroger. They were left over from my July 4th applie pie, and if I recall correctly, they were made into pastries not long after this painting was finished. They were good.

Friday, August 15, 2008

New Direction

 
There have been some big changes going on behind the scenes here, but they don't make for terribly exciting reading. The important development is that I will soon begin posting daily oil paintings for sale through my shop on Etsy. My goal is one painting a day, sold for about $100 shipped, and I've spent the last couple of months setting up and starting this new venture. I'll post the paintings here with commentary. I also have quite a bit of digital housekeeping to do. There are accounts to set up, graphics to be made, and layouts to be adjusted.
 
"Daily Painting" is a petite phrase, but it contains an entire Operation Overlord of change. I have re-arranged my office/studio, researched the market, purcha$$$ed a painfully large pile of $$$upplies, acquired materials for setup and lighting, discovered (or re-discovered) the ins and outs of producing good work in a hurry, and then of course there is the ever-present trial-by-fire in which the brush hits the gesso board, and planning meets reality. Of course, none of this is revolutionary - or news - but for me it's a very moving process. A new artistic start is simultaneously fun and excruciating, and unfortunately I don't have anyone to share it with, except you, the reader. Hopefully daily sales will mean traffic, which will mean comments and communications with other artists? That's what it's all about, in the end, I think... Work produced, and ideas shared. Progress!